Fine Art Photography: Water, Ice and Fog by Tony Sweet showcases photographs of of water in its three states. Yes, there are great shots, but this book is a how-to book. Sweet discusses the composition of the shot and the elements of photography that went into it. What lens was used, at what aperture, at what time of day with what filter. His writing style is direct and to the point and instructional. Novices and advanced photographers should be able to get something out of this book.
Author: Patrick
-
Modern art as a weapon
During the Cold War, the CIA supported artists such as Rothko, de Kooning and Pollock, all in the name of defeating Communism.
Why did the CIA support them? Because in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.
And the next time someone snarks about elites, consider:
The US government now faced a dilemma. This philistinism, combined with Joseph McCarthy’s hysterical denunciations of all that was avant-garde or unorthodox, was deeply embarrassing. It discredited the idea that America was a sophisticated, culturally rich democracy. It also prevented the US government from consolidating the shift in cultural supremacy from Paris to New York since the 1930s. To resolve this dilemma, the CIA was brought in.
-
Civil Twilight – Civil Twilight
You’ll like Civil Twilight‘s self-titled if you’re into electronic rock in the vein of Muse. It’s not as orchestral or jarring, but Civil Twilight brings the wailing, synth and driving melodies.
-
Parker: The Hunter
Parker: The Hunter (Richard Stark’s Parker) by Darwyn Cooke puts crime noir pulp author Richard Stark to page in graphic novel format. It tells the tale of a thief who’s been betrayed by his girlfriend and double crossed by a partner in crime and his hunt for revenge.
The story is told in four arcs. The first, begins with a man (we soon to find to be Parker) crossing the Brooklyn Bridge and remains wordless for 8 pages as he cons a bank for money, insults a waitress at a diner and eventually meets up with his former girlfriend. The second arc focuses on the man, Mal, who betrayed Parker, and the third tells of how Parker found Mal. Finally, Parker continues, scorched earth style, up the chain of the organization that took his money.
The dialogue reads like that of a pulp crime novel and the action is violent with some scenes graphically depicted and others implied. The art is a throwback to the 50s and 60s–sharp angular inks and expressive styled lines. The blue coloring is used for visuals to accentuate drama. It’s a well done effort into the graphic novel genre.
-
jobs are creative acts
Ben Pieratt writes that jobs are creative acts
As a creative person, you’ve been given the ability to build things from nothing by way of hard work over long periods of time. Creation is a deeply personal and rewarding activity, which means that your Work should also be deeply personal and rewarding. If it’s not, then something is amiss.
Creation is entirely dependent on ownership.
I’ve always felt that the act of creation is a powerful one, unrecognized or under appreciated. In certain environments people who accomplish great things have very little ownership of the end result, but they can own the means and abilities to reach that accomplishment. When others step in to own part of the process… it’s theft.
-
Telegraph Canyon at the Levitt – 9/17/2010
Fort Worth’s Telegraph Canyon played Arlington for the first time at the outdoor amphitheater, Levitt Pavilion. The band played an energetic, swirling and full set with songs off their 2009 The Tide and the Current. This is a band that sounds better live with performances to match. Rich textures and instrumentation ebb, flow and build in songs like Into the Woods and Reels and Wires. Welcome to the Night becomes raw and tender and pulsating.
This is the second time I’ve seen them and they’re there to play and rock out in their own way. Lead singer Chris Johnson interacted with the crowd a few times, but all six band members where there to play. No theatrics or showmanship. I would like to see them throw in a cover just to see what they could do with someone else’s material. By then end of the show a line had formed at their merchandise table and I could overhear conversations about how impressed they were with the band.
-
Chet and Bernie
Spencer Quinn put a nifty twist on the detective whodunnit by making his narrator a dog, Chet. Chet’s voice is colorful, simple and direct, keenly detailing the sights, smells and sounds. There’s also an innocence, too, in his character when observing human nature, unsure of human emotion and motive.
In Dog on It: A Chet and Bernie Mystery, Bernie takes a case for a wealthy divorcee whose daughter has been kidnapped. The setup may be simple, but Quinn constructs a plot with enough characters and motivations that the story is more than just about kidnapping. Comments on the housing crisis come through as Bernie finds more about the father, a real estate developer. While Bernie consists of the usual detective tropes–loner, ex-military, poor financial decision maker, brash attitude, Chet is what makes the pair unique in how they pair up. Bernie states that he and Chet are a team.
The team continue working cases in Thereby Hangs a Tail: A Chet and Bernie Mystery when a wealthy dog owner and her dog are snatched before a premiere dog show. The dog show plotline seems a send up of celebrity culture, a farce with animals and their over eager owners, whom seem like caricatures. The supporting cast of bad guys and red herrings aren’t really as developed this time, and Chet’s narration seems more ADHD. Sure, dogs may become distracted, but when telling the story a colorful tangent may entertain, but this isn’t done in moderation. I found myself skipping large sections and didn’t fight the twist particularly revealing.
-
Andrew Shaylor’s Hells Angels Motorcycle Club
Andrew Shaylor a United Kingdom based photographer released a book entitled, Hells Angels Motorcycle Club. It attempts to document the life of the club beyond its image as rough, gritty bikers. Given access to meeting rooms, Hells Angels events and pictures of members’ bikes, it humanizes the group as a bunch of guys, hanging out and riding motorcycles.
Most members are over 30 and appearances are world weary. Shaylor comments that the group prefers new members have life experience before joining, and for a lot, it shows. Leathered faces, deep creases and graying hair. Toothy grins and countless tattoos.
The tattoos. The death head varies from chapter to chapter and can only be worn by a member in good standing. Many get the death head, in some form, tattooed on their body–signifying their commitment for life.
Interspersed between the portraits, Shaylor showcases life as a member. These shots mostly come across as snapshots or vacation photos. Hells Angels life is just as candid as a drunken frat party, too. At the end, and it seems random and I’m not sure if they add context, but Shaylor included portraits of members’ families–wives, sons, daughters, girlfriends. I suppose, they’re normal too.
The subjects all reside in the UK. If you expected the more famous California Sonny Barger Hells Angels, you’d be disappointed. But would those portraits be any different?
-
Three Cups of Tea
If you’re going to come away with anything from Three Cups of Tea, the story of Greg Mortenson’s mission to build schools in Afghanistan and Pakistan, let it be the value of perseverance. To consistently focus on accomplishing something, despite the obstacles of lack of money, knowledge or cultural understanding, great things can happen if one learns from mistakes and continues to go forward. This theme even is displayed by those he is trying to help, as the conservative mullahs of the region see that Mortenson isn’t in their land to convert them or over take them, but to sincerely help children, specifically girls.
The story starts slow, after Mortenson’s failed attempt to climb K2 and stumbles into a poor region without schools. We learn he is the son of a Lutheran missionary who grew up in Africa and is out of place when he returns to California. After coming back to the states, making a promise to return to Pakistan, Mortenson begins to raise money. He gains some traction from within the mountaineering world and receive a donation from Jan Hoerni, a wealthy scientist and climber, for his first school. The attempt to build the first school is fraught with errors, mostly with Mortenson expecting to return, buy supplies and build a school. The culture of Pakistan slows him down. And first a bridge must be built. Nearly two years later, the school does get built, but only after navigating his own ignorance and that of the Muslims in the region.
As Three Cups of Tea progresses, it bounces back and forth between Mortenson’s inability to generate funds as quick as he’d like and his three to four month sabbaticals in the mountains of Central Asia. A cast of supportive and not so supportive characters carry the story along. From the kidnappers in the remote province of Waziristan to village elders such as Hajj Ali in Asia or his eventual wife and board members stateside, each is portrayed in a respectful depth. Eventually, Mortenson’s cause explodes after September 11th. (He happened to be in Afghanistan during the attacks.) He’s vilified for wanting people to understand what it will take to make the region a safer place. The Pentagon calls him in for a presentation, to which he sees why progress won’t be made in a Rumsfeld led Pentagon. Finally, after a Parade magazine feature, he receive an outpouring of support.
The book is an inspiring piece to the adage that one person can make a difference. At times it’s slow and over written in sentimental prose, but it gives a picture that perseverance to foster understanding and education is fundamentally important to peace.
-
Locke & Key – Welcome to Lovecraft
The story of Locke & Key: Welcome to Lovecraft starts with a seemingly random act of violence–two deranged kids show up at a family’s home and kill the father. This initial act is told haltingly between the incident, the funeral and the arrival to the family’s new home in Lovecraft, Massachusetts.
It seems heavy handed, but of course creepy things are going to ensue in Lovecraft, MA, where the family unsettles and encounters the mysteries of the house. The youngest, Bodie, discovers by accident that he can walk out a door and die, float free as a spirit, return to his body and un-die. He also befriends a ghost at the bottom of the outhouse well. Meanwhile, the middle sibling, Kinsey takes to school and finds a spot on the girls track team. Ty, the oldest, broods quietly. The latter two siblings refuse to believe Bodie and unknowingly cross paths with harbingers of future plot points.
The story unfolds, following the surviving deranged killer across country as he seeks a powerful key for a spirit that seems to be guiding him. This book sets up the premise of the house with keys that open doors to places or states of being. The art is well done by Gabriel Rodriguez, and the story is solid, penned by Joe Hill (aka son of Steven King). It’s violent, bloody and people say ‘fuck’ a lot.
After one collection, it’s hard to say how well developed the characters are, for example, we see more of the killer and what makes him crack than we do of the mother. Bodie seems to be the kid no one listens to, Kinsey’s the self aware girl that feels out of place and Ty is the misunderstood jock who ultimately does right. Again, it’s a solid story with enough of a premise that could go a long way, so it will be interesting to see if the characters develop being their archetypes.
