PJH Studios

Category: Music

Pop, rock, alternative, classical, indie, folk, lo-fi, any thing with a tempo and a beat and some rhythm

  • My songs of 2010

    Below is the track listing for my 2010 songs. By no means is it exhaustive, but I focused on the songs and albums I listened to. I also left out quite a bit of music I did listen to, notably Arcade Fire, Band of Horses and Sufjan. The ordering is only a track listing and not a ranking. Also, each track is linked to an accompanying video, preferably a live version. Without further ado:

    1. King Charles – The Brightest Lights: This guy hails from England, and phenomenal only begins to describe how cool he is. He performs this live, acapella but repeats the verse, changing certain lines as he goes.
    2. The National – Terrible Love: The National write songs that you may not like on the first listen. They start slow, contain cryptic lyrics and musically, a lot goes on. After the third listen, you’re singing along. Give this song a minute to build, and then wait as it soars.
    3. Broken Social Scene – Meet Me In the Basement: A bouncy, jangly instrumental, perhaps the perfect waltz for an indie rock ice cream man (or woman).
    4. OK Go – This Too Shall Pass: They’ve come far. Far from dancing on treadmills. I’m sure they’re wiser, too. A fun song about letting go–not too many of those.
    5. Doug Burr – I Got This Fever / O Ye Devastator: Doug Burr’s a local guy from Denton. This is a more upbeat track, folky, catchy answering some grand questions.
    6. The Morning Benders – Excuses: It sounds a bit like late-era Beach Boys with the symphonic arrangement, melody swirling and progressing beat.
    7. Beach House – Norway: This song pulses, warming a cold, winter night.
    8. Girl Talk – Triple Double: Sure, that’s some Phoenix you hear at the start, but by the end, listen for Willow Smith. Girl Talk makes songs from other songs for an instant summer party mix.
    9. Sleigh Bells – Rill Rill: Treats (Sleigh Bells’ debut) was my summer album, and in defiant protest to Katy Perry, this was my summer song. The sugary vocals and thumping percussion make for a good drive on a summer night with the windows down.
    10. Yeasayer – I Remember: In love, it’s the beginning and end you remember the most. Vividly.
    11. Vampire Weekend – Horchata: Horchata is made differently, depending on where you are.
    12. The Head and the Heart – Sounds Like Hallelujah: This Pacific Northwest band deserves to be heard with their blend of folk, rock and pop.
    13. Bruno Mars – Count On Me: The Glee kids did this as a sugary confection, but the original keeps the punch.
    14. Mumford & Sons – The Cave: Knowing Mumford & Sons is like knowing a revival, a celebration of the soul with banjos and rockin’ sing alongs. See them live if you can.
    15. Janelle Monáe – Cold War: R&B, jazz and rock get fused together into a space opera.
    16. King Charles – We didn’t start the fire: Sorry for the crappy quality, but it’s the best I could find. Now, imagine if Billy Joel did update his 80s anthem.
    17. The National – Vanderlyle Crybaby Geeks: This song, performed unplugged at the Dallas show in October, had a sold out crowd standing, singing and crying.
    18. Titus Andronicus – A More Perfect Union: It begins with a passage from an Abe Lincoln speech and turns into something else entirely. The vocals are raw and defiant, but I think the song’s guitar noodling is epic as it climaxes to a bar room sing along.

  • My Beautiful Dark Twisted Fantasy – Kanye West

    Kanye’s got the beats, the rhymes the ego and the vision to pull off an album like My Beautiful Dark Twisted Fantasy full of so many themes. From the self introspection (Monster, Lost in the World), to class (Power, Runaway), to misogyny (So Appalled, Hell of a Life) to politics (Who Will Survive in America).

    Musically, there’s an ebb and flow. Dark Fantasy, led by Nicki Minaj in a British accent, starts the album off gently. Power, throttles forcefully, followed by the spacey All of the Lights. Runaway serves as an epic track, nine minutes long, and Lost in the World combines the indie sensibilities of Bon Iver. Who Will Survive in America closes the album in a scathing indictment of political doubt.

  • Those Were the Days – Dolly Parton

    Those Were the Days by Dolly Parton is a trubute/cover album of Dolly performing other artists’ songs. At 12 tracks, all have countrified, Dolly arrangements that play well with her style toe tapping music. Me and Bobby McGee (with Kris Kristofferson), Crimson and Clover (with Tommy Jones) and Turn, Turn, Turn are stand outs.

  • Marroon 5 – Hands All Over

    Hands All Over by Maroon 5 continues the jazzy, funk, keyboard and drums driven pop about love, longing for love, hurt by love, sorry for for hurting for love and redeeming oneself for love that they do well.

    Of the stand out tracks: Misery kicks off and sets the tone–upbeat and thumping. Stutter is a doo-wop, sway your hips kind of song. Never Gonna Leave This Bed is carried by a soaring chorus. Out of Goodbyes, their collaboration with Lady Antebellum, works well as the albums tender, ballad closer.

  • Keane – Night Train

    Keane’s 31 minute EP, Night Train, is a bland assortment of mash up pop. K’naan and Tigarah guest spot (rap?) to a confusing effect. Sure, artists experiment with sounds, but you kinda have to wonder what direction, a band that built its following on piano driven anthems, the rap collaborations bring.

  • Civil Twilight – Civil Twilight

    You’ll like Civil Twilight‘s self-titled if you’re into electronic rock in the vein of Muse. It’s not as orchestral or jarring, but Civil Twilight brings the wailing, synth and driving melodies.

  • Telegraph Canyon at the Levitt – 9/17/2010

    Fort Worth’s Telegraph Canyon played Arlington for the first time at the outdoor amphitheater, Levitt Pavilion. The band played an energetic, swirling and full set with songs off their 2009 The Tide and the Current. This is a band that sounds better live with performances to match. Rich textures and instrumentation ebb, flow and build in songs like Into the Woods and Reels and Wires. Welcome to the Night becomes raw and tender and pulsating.

    This is the second time I’ve seen them and they’re there to play and rock out in their own way. Lead singer Chris Johnson interacted with the crowd a few times, but all six band members where there to play. No theatrics or showmanship. I would like to see them throw in a cover just to see what they could do with someone else’s material. By then end of the show a line had formed at their merchandise table and I could overhear conversations about how impressed they were with the band.

    Telegraph Canyon at the Levitt

  • The Wilderness Downtown

    The Arcade Fire released their second video for their latest album The Suburbs with, The Wilderness Downtown.  It’s a synthesis of web technology, music and video to create an experience.  It uses HTML 5 to drive much of video so for now Google Chrome or Safari 5 are the only browsers that can play it fully.  (Firefox can, albeit somewhat lacking).

    Before the video begins, you’re asked to enter the street you grew up on, and then the video begins to load.  In the video, multiple screens pop up, one with video of a unisex person running through a suburban street and other windows playing animations.  You’ll write a message to your younger self, and that address you entered will appear as a Google Earth flyover.

    This isn’t their first foray into viral, interactive videos.  With their last album, they released a web video, Neon Biblethat let you interact with Win Butler’s hands.

  • The Head and the Heart

    A debut album from a Seattle sextet is perfect for those late summer drives at dusk.  The sun fades into the horizon while warm shades of yellow, orange and red light up the sky.  The Head and the Heart’s self titled clocks in at 9 tracks, spanning 35 minutes.  In that time, the harmonies come together, comforting and uplifting with folksy pop arrangements reminiscent of the Beatles or Simon and Garfunkel.  In the Sounds Like section on their MySpace page, they list:  “melodies, harmonies, shakers, foot stomps, beautiful things, epic things.”

    The album begins with a sprightly track, Cats and Dogs with the timbre of Josiah Johnson’s vocals warming up to lead a backing of “ooo-ooo’s” as a kick drum thumps and the rest of the band joins in on the fun.  This seamlessly transitions to the next track, Coeur D’Alene where the keyboards and bass line drive the song’s catchy hook.  The rest of the album has a rhythm, steady and buoyant and never strains.  If anything, the album peaks with Lost In My Mind and glides to a safe landing during the last three tracks, closing with a reverent finale in Heaven Go Easy on Me.

    Here they are performing live for KEXP:

  • Jakob Dylan – Women and Country

    Jakob Dylan’s Women and Country album feels good on the first listen.  There’s no trying too hard, no songs with the familiar country, singer songwriter tropes.  It’s paced well, with diverse arrangements.  Nothing But the Whole Wide World and Holy Rollers for Love stand out.