“It was really difficult for our first year,” Gooblar-Perovic added. “We couldn’t be like an official club with our school, because it would be, legally, iffy.”
The group persisted. After the part of the law that affects school libraries was temporarily blocked by a federal judge, the Banned Book Club gained official recognition from the school. Now, as enforcement of the book restrictions remains frozen under a second temporary injunction, the club has 15 to 25 regular members and meets weekly to discuss books like The Perks of Being a Wallflower, The Color Purple, The Handmaid’s Tale and Fahrenheit 451 — some of the same titles that had been previously removed from the Iowa City Community School District’s libraries. According to Iowa City West High’s library catalog, the books have since been reshelved.
Still, Seuss dominates so much of our imaginations around childhood. It may take another generation or two to reset our perspective so that Seuss isn’t synonymous with children’s literature. I spoke with Kesi Augustine, PhD, a debut children’s author and scholar whose research focuses on children’s literature to ask for her insights. Recently when Augustine was promoting her picture book, Faith Takes the Train (HarperCollins 2025, illustrated by Mokshini), an adult reader approached her before she had even started her event.
The reader asked if she was a children’s author, and related that Green Eggs and Ham was his all-time favorite book. As he and Augustine engaged in a conversation about Seuss, Augustine observed the powerful nostalgia that can cast a spell on us for decades, preventing us from discovering new authors. Isn’t 65 years of Green Eggs and Ham enough? What new books will become beloved for generations?
Shelves of unexplored ideas propel us to continue reading, continue learning, and never be comfortable that we know enough. They provide the foundation for a healthy and robust intellectual humility.
The last installment of the original “Choose Your Own Adventure” series came out in 1998, but since 2004, Chooseco, founded by one of the series’ original authors, R.A. Montgomery, has been republishing classic volumes, as well as new riffs on the form of interactive fiction that seemed ubiquitous in the 1980s and ’90s. The new editions also carry an additional feature—maps of the hidden structure of each book.
She Rides Shotgun will soon be a movie. The book that it’s based on tells of Nate McCluskey and his daughter, Polly, attempting to escape an Aryan Nation branch in Southern California. Jordan Harper writes a taut, propulsive story with hard boiled lyricism, mixing violence and pathos. Definitely recommended as a quick, engaging, easy read.
The manuscript had survived the centuries after being recycled and repurposed in the 1500s as the cover for a property record from Huntingfield Manor in Suffolk, owned by the Vanneck family of Heveningham.
It meant the remarkable discovery was folded, torn, and even stitched into the binding of the book – making it almost impossible for Cambridge experts to access it, read it, or confirm its origins.
What followed the discovery has been a ground-breaking collaborative project, showcasing the work of the University Library’s Cultural Heritage Imaging Laboratory (CHIL) and combining historical scholarship with cutting-edge digital techniques, to unlock the manuscript’s long-held secrets – without damaging the unique document.
“You’re the main character of your story,” works well as a general lesson of self empowerment and a foundational aspect to role playing games (RPGs) such as Dungeons and Dragons. Literary RPGs take the other components of RPGs–combat and magic systems, creatures and quests–and weaves an adventure in narrative form.
Matt Dinniman’s Dungeon Crawler Carl series might be the best example of the genre, now on its seventh book. Carl and his ex-girlfriend’s cat, Donut, survive an alien invasion only to be thrust into a galactic survival game show with a sprawling cast of alien species and mythical monsters. As Carl and Donut progress through the dungeon, they level up with gear and magical items. What Dinniman brings to the genre is well executed humor, drama, and pathos.
Those well versed in pop culture will be rewarded as monsters and gear are referenced as the series progresses, sometimes with twists or subversive elements. There’s a reason for this, too, revealed in one of the books.
As the books progress, Carl encounters a different game being played in each level of the dungeon. Most of the time these plot devices work, but book 3, The Dungeon Anarchist’s Cookbook, involves a convoluted maze of trains, inordinate exposition is required to finish the story thus weakening the book. And that book pulls in numerous plot threads that come together in later books.
And with each level, the cast expands, a broader story of political intrigue grows, and existential themes of life, love, justice, compassion, and economic systems are brought to life in uncanny ways. A mentor acts as a guide but is an indentured servant to a brutal corporation. A Jurassic Park like dinosaur and the responsibility of fatherhood. A foul mouth head of a sex doll that exemplifies toxic relationships. A teenage girl that can command dogs but not her own trauma. And Carl, for all his John McClain gravitas, struggles to keep his humanity.
Are you getting Pulitzer Prize writing? No. But are you getting an escapist read that’ll distract you from real life?
Scarry followed What Do People Do All Day? with a series of books all set within the same society, including (among others) Great Big Schoolhouse, Cars and Trucks and Things That Go, and Busiest People Ever! The Busytown books, as they came to be known—with their dictionary-like visual presentation paired with lightly slapstick situations and the presence of recurring, memorable characters like Huckle Cat, the Pig family, and my favorite, Lowly Worm—grew into a real-feeling big world that Scarry seemed to be letting little ones into. (Lowly was perhaps the first children’s book animal character with a real nod to the ADA and the myth of “dis”-ability, and cheerfully makes his linear form work in all sorts of inspiring and disarmingly moving ways.)
Those Busy Town books could occupy my entire afternoon as a kid. Pair those books with generic Lego blocks, and 5 year old me would attempt to recreate the scenes. There never was a mini-fig worm with a hat, though.
When successfully combined, they create a taut narrative such as the Monster of Florence or the Dyatlov Pass incident. Other times they come across as dry character studies, where history is examined.
Midnight in Chernobyl is a meticulous examination of the Chernobyl disaster. It accounts for the bureaucratic neglect the Soviet system grew into that contributed towards key events. Neglect that contributed to the way the plant and reactor were designed, the town and state response, and the attempted cover up. Plus, it tells of the horrific human toll paid by those exposed to the radiation.
