PJH Studios

Author: Patrick

  • Kevin Smith and how to work for yourself

    Kevin Smith on working for yourself:

    Life is mutable; the rigidity of working for someone else doesn’t allow for much flexibility. So create your own ideal universe.

  • Kevin Kelly – What Technology Wants

    In What Technology Wants, Kevin Kelly views technology’s evolution from multiple perspectives–the anthropologist, the sociologist, the evolutionary biologist, the technologist and the futurist. Using these perspectives, he examines his core thesis: technology is an extension of our abilities.

    Broken into four sections, Origins, Imperatives, Choices and Directions he combines ideas from various disciplines with stories, documented history and deconstruction of facts. In Origins, evolutionary biology and anthropology explain humans and human interaction with technology. We began as a very simple species, and we adopted tools as we needed them. As homo sapiens evolved, our needs became more complex.

    Throughout Imperatives, he documents history and science with sociology in mind–how does technology affect us as it progresses? How do we reconcile our needs and abilities as humans adapt and grow into higher order civilizations? Technology comes from lower order needs, desiring of higher order abilities.

    Choices begins with Kelly stating that the Unabomber was right. Quoted at length from his manifesto, the Unabomber disdained technology due to it taking over our lives and growing beyond our control. Kelly points out the flaws in the manifesto somewhat cautiously–humans are incapable of fully living without technology. The Unabomber relied on others for tools and materials.

    The last two chapters consist of Kelly’s futurist, philosopher take on where technology is going. At length, he charts Technology’s Trajectories among 10 different areas: complexity, diversity, specialization, ubiquity, freedom, mutualism, beauty, sentience, structure, evolvability. These areas are the same areas that life itself works within, he states. Lastly, in a nod to James P. Carse’s Finite and Infinite Games, Kelly believes that our relationship with technology and ideas will constantly push boundaries and seek ways to grow in order to continue.

    In short, this book is full of ideas and perspectives. One particularly interesting idea he proposes is how many geniuses missed out on fully reaching their potential because they weren’t alive at the right time in history? Further, once a technology is created, in never ceases to exist. It may become rare, but it will serve a niche. If you want to get the most out of What Technology Wants in the shortest amount of time, read the last two chapters. Read the entire book for a synthesis of numerous ideas converging at once.

  • Seth Godin – Tribes

    Seth Godin’s Tribes: We Need You to Lead Us serves up a compact guide to be a leader of ideas. How should a leader of a tribe, a movement, cause, purpose devoted to a singular mission act or think? That’s what Godin covers with a mixture of anecdotes, stories from people who have led and succeeded or analogy or blunt deconstruction of a point.

    At about 130 pages, it reads quickly with each point or example no more than 300 to 500 words. He writes with purpose and clarity. There are times when his anecdotes seem thin, needing more context or explanation. Or is this a clever trick for the reader to become curious about the person he mentions and Google them?

    If you’ve read other Godin books, similar themes emerge. His emphatic belief that the factory mindset of cranking out widgets is broken. Education that invokes follow the rules behavior is an unsuccessful path. People fail not by the act of failing, but by not doing anything due to fear.

  • A Darwinian theory of beauty

    Denis Dutton gave a TED talk about beauty from the perspective of Darwin. In it, beauty is a representation of the best possible outcome, be it animals (rabbits), art, a soccer kick and on and on. We’re hardwired to recognize beauty, despite its subjectivity.

  • Can technology end poverty?

    Kentaro Toyama worked at Microsoft Research India for several years leading research initiatives but also ICT4D, or Information and Communication Technologies for Development. ICT4D seeks to address global poverty with technology.

    He learned a few things while there.

    Technology—no matter how well designed—is only a magnifier of human intent and capacity. It is not a substitute.

    Just giving impoverished communities access to technology won’t help those communities. They need skills and literacies to operate the given technology. They heed to be shown how the technology will help them in their own environment with practical day to day uses.

    In every one of our projects, a technology’s effects were wholly dependent on the intention and capacity of the people handling it. The success of PC projects in schools hinged on supportive administrators and dedicated teachers. Microcredit processes with mobile phones worked because of effective microfinance organizations. Teaching farming practices through video required capable agriculture-extension officers and devoted nonprofit staff. In our most successful ICT4D projects, the partner organizations did the hard work of real development, and our role was simply to assist, and strengthen, their efforts with technology.

    How technology can address poverty? Look at how it’s widened.

    1. Access: Increase the access to technologies
    2. Capability: Everyone has the same skill level
    3. Motivation: How to apply the technologies and skills to relevant situations

  • Marroon 5 – Hands All Over

    Hands All Over by Maroon 5 continues the jazzy, funk, keyboard and drums driven pop about love, longing for love, hurt by love, sorry for for hurting for love and redeeming oneself for love that they do well.

    Of the stand out tracks: Misery kicks off and sets the tone–upbeat and thumping. Stutter is a doo-wop, sway your hips kind of song. Never Gonna Leave This Bed is carried by a soaring chorus. Out of Goodbyes, their collaboration with Lady Antebellum, works well as the albums tender, ballad closer.

  • Keane – Night Train

    Keane’s 31 minute EP, Night Train, is a bland assortment of mash up pop. K’naan and Tigarah guest spot (rap?) to a confusing effect. Sure, artists experiment with sounds, but you kinda have to wonder what direction, a band that built its following on piano driven anthems, the rap collaborations bring.

  • Processed war photography

    Brian Barrel of Gizmodo spots Hipstamatic photos on the NY Times front page.

    When NYT photog Damon Winter went to northern Afghanistan to catalog the efforts of the First Battalion, 87th Infantry of the 10th Mountain Division, he took all the fancy camera equipment you would expect. He’d shoot video of firefights with a Canon EOS 5D Mark II, sure. But he also grabbed still photos using Hipstamatic, an app that lets you choose among a huge selection of filters…

    As he notes, this isn’t the first time a Hipstamatic photograph has been published by a major publication. The publishing of such photos is significant for the following reasons:

    • It’s not the gear you have, it’s the gear you have at the time.
    • Editorializing/editing of photos for publication

    Chase Jarvis preaches that The Best Camera Is The One That’s With You. Sure, you can lug two Canon 5Ds, one with a 35mm prime and another with a 28-200mm 2.8 zoom, and with that weight you’re going to get quality shots. But the iPhone (and other cell phone cameras) with various apps for editing and processing photos, is making the investment in gear moot. In the case of war photography, the thought of a photographer following a platoon with only an iPhone seems comical, however, in a connected era, telling the story as it happens or as soon as it happens becomes paramount. The work flow–take picture, edit as needed, upload to photo desk–to do this now can happen in minutes. Photographers of the Civil War didn’t have that work flow capability.

    The instant work flow, coupled with the photo editing apps in an iPhone, a photographer can file a photo that has a distinct, editorial feel. Photographers who know their craft can capture photos in camera without any editing, but normally, photos edited beyond basic cropping and dodging and burning receive the note “photo illustration.” So what’s being illustrated? The story or what photographer or the editor wants the story to be or the reader to feel? This is a tricky line, a line that photojournalism has always run against. Photography is an art to evoke feeling, and photojournalism is an art to capture events to evoke feeling. As one Gizmodo commenter, OrtizDupri, states,

    I can guarantee you, nothing I saw in my 16 months in Iraq looked like the view through a Lomo or Holga camera. The reality of war isn’t meant to be vintage colors and soft edges.

  • Long held beliefs eventually disproven

    Richard Thaler, a behavioral economist and research, issued a call for previous held beliefs that were eventually disproved, and for extra credit, why were they held for so long.

    Lots of good examples from a wide array of smart folks (Nicholas Carr, Howard Gardner, Clay Shirky and many many others). Some are obvious (gravity! flat Earth!) while others are arcane (prions/prions?).